Projects arranged in a Chronological Order
Mariam Songhulashvili is a visual artist based in Tbilisi, Georgia, working primarily with generative and interactive time-based media. Their work explores themes such as memory, urban and liminal spaces, and the gamification of reality. Their practice is modular, open-ended, and experimental - rooted in system building and situated at the intersection of disciplines. Collaboration forms a central part of their work, often involving sound artists, writers and sculptors. Mariam has participated in audiovisual festivals and group exhibitions, presenting live performances that incorporate multiple-channel video, site-specific projection mapping, live camera improvisation, and interactive installations.
CV ↜
Who’s There?
A playful personality test that combines projection and an interactive questionnaire. Upon completion, the viewer receives a personalized audio-visual experience, accompanied by a text description of their personality type. The visuals incorporate and manipulate small snippets from various films.
Sources Used:
Mirror of Holland (1950)
L’amore (1956)
Rocco and his Brothers (1960)
The Leopard (1963)
Le Bonheur (1965)
The Damned (1969)
Movie VO (1982)
The So-Called Caryatids (1984)
Allers Venues (1984)
U.S.S.A. (1985)
Matador (1986)
Close Up (1990)
Happy End (1996)
Dream Work (2001)
Birdsong (2008)
The Title was Shot (2009)
Uncle Boonmee Who Can Recall his Past Lives (2010)
Mekong Hotel (2012)
The Art of Flying (2015)
Glacier (2017)
Half Eaten Cow (2017)
Shimmer (2019)
Autumn Colors (2020)
Osmosis (2022)
Visual Edit and Manipulation: Mariam Songhulashvili
Text: Mariam Kakhniashvili